The part of a campaign people remember with their eyes closed.

Audio is usually the last thing on the schedule and the first thing people notice when it's wrong. A spot with the wrong voice, a jingle nobody can hum, a mix that sounds fine on a laptop and thin on the radio.

We cover the whole range, from writing the jingle to delivering the final mix in every length and format the media plan needs, in English and Spanish. Same brief, same team and same deadline as the rest of the work.

Talk to us about sound

Have a listen

  1. CR7 Drive

    Commercial jingle · 0:30

  2. Herbalife ChocoAvellana

    Jingle · 0:43

  3. Herbalife Batido

    Spot · 0:20

  4. Jeunesse

    Jingle, all markets · 1:09

  5. Carefree

    Spot · 0:30

  6. Latinas in Tech

    Huapango · 1:43

  7. Latinas in Tech

    Samba · 1:50

  8. OpenMind

    Corporate theme · 3:55

  9. OpenMind

    Emotive theme · 2:30

  10. PDM

    Spot · 0:33

  11. Extravaganza Centro y Suramérica

    Event theme · 0:32

What it usually needs

YOU NEED PEOPLE TO REMEMBER THE BRAND

A jingle or sonic logo written for the brand, delivered in every length the media plan calls for.

  • Custom jingles for radio, TV and digital
  • Sonic logos and audio signatures
  • Cutdowns at :60, :30, :15 and stingers
  • Brand music beds by mood and channel

THE VIDEO NEEDS MUSIC THAT FITS IT

Music written for the picture, instead of picked from a library and hoped for.

  • Scoring for video, animation and explainers
  • Theme music for shows, podcasts and events
  • Arrangement with live or virtual instruments
  • Studio recording and session musicians

THE SCRIPT NEEDS THE RIGHT VOICE

Casting, directing and recording, in English and Spanish, with someone in the session who knows how the brand is supposed to sound.

  • Voice casting, auditions and callbacks
  • Directed sessions, remote or in studio
  • Bilingual English and Spanish reads
  • Spanish-language adaptations of existing spots

THE SPOT SOUNDS UNFINISHED

The finishing work that decides whether a spot sounds expensive.

  • Sound design and custom effects
  • Dialogue editing, noise reduction and cleanup
  • Sync to picture for TV and digital
  • Final mix, mastering and stems

IT HAS TO PLAY EVERYWHERE

Every platform has its own spec, and a mix that passes on one gets rejected on another.

  • Radio spots assembled at :15, :30 and :60
  • Podcast editing, intros, outros and beds
  • Radio imaging, sweepers and liners
  • Loudness compliance for broadcast, streaming and podcast

THE ROOM NEEDS TO SOUND LIKE THE BRAND TOO

Audio for the booths and events we already build. Walk-in music, stage beds and the sting that plays when the lights go down.

  • Event and booth soundscapes
  • Stage and presentation audio
  • Sound for activations and interactive apps
  • Exhibition and museum audio

Tell us what it needs to sound like.

Send the script, the spot or just the idea. We'll write back and tell you how we'd make it.